I recently had the chance to watch Isla Babuyan during an intimate screening with its director Jose Abdel Langit and line producer Dennis Evangelista. Before the uncut version of the film was played, they introduced us to the journey of bringing this story to life and gave us a closer look at the characters they created. The setting, the mood, and the small gathering all came together to make the experience feel picture-perfect, setting the tone for what was to come.
Here is the synopsis of Isla Babuyan:
“After almost fourteen years, Anastacia, now a grown-up, returns to Isla Babuyan (Pigland) to reunite with her mother, Rose. What should have been a heartwarming return turns complicated when Anastacia learns of Rose’s ill reputation in town. Known as the town’s whore and mistress, Rose runs and owns the only bar on the island. As the two attempt to reconnect, they are drawn into a web of conflicts that not only tests their relationship but also forces them to define the love and bond they hope to rebuild.”
At the heart of the film is Lotlot de Leon as Rose. She commands the screen with the kind of raw yet controlled performance that only comes with experience. Her presence makes Rose more than just a character with a sordid reputation—she becomes a woman we can understand, even if not always agree with.
Playing Anastacia, newcomer Geraldine Jennings impresses in her debut. There’s a mix of innocence and quiet strength in her performance, making the mother-daughter dynamic feel layered and believable. Watching her hold her own alongside Lotlot de Leon is one of the film’s pleasant surprises.
Jameson Blake adds a youthful charm and depth in his role, balancing sensitivity with conviction. Meanwhile, James Blanco continues to prove his versatility, bringing a steady hand to his character. Nathalie Hart, as a scene-stealer in every line she throws, is striking in every appearance. Paolo Gumabao delivers another solid showing, proving he’s comfortable both in dramatic and more daring roles. Dave Bornea provides a refreshing energy, while Samantha Da Rosa makes her mark with a memorable supporting performance.
The film leans into its campy drama label, and that’s where much of its charm comes from. It’s unapologetically bold, filled with moments that make you laugh, gasp, and shake your head—all in the best way possible. There’s a certain rhythm to the storytelling that keeps things moving, and the emotional peaks between Rose and Anastacia give the story its heart.
The cinematography also deserves mention, capturing Isla Babuyan with both grit and beauty. It makes the island feel like a character on its own, reflecting the characters’ inner struggles and desires.
There are moments where the pacing dips, with a few scenes lingering longer than necessary. The campy tone, while fun, may not be for everyone, as it sometimes overshadows the heavier themes. But even with these small drawbacks, the sincerity of the story pulls it back together.
Isla Babuyan is not your typical drama—it’s campy, bold, and unafraid to go places that might make some uncomfortable. Yet at its core, it’s a mother-and-daughter story that many will relate to, told with a mix of spectacle and sincerity. With standout performances from Lotlot de Leon and Geraldine Jennings, supported by a strong ensemble cast, the film offers plenty to talk about long after the credits roll.
Produced by Solid Gold Entertainment, Isla Babuyan opens on October 1 exclusively at Robinsons Movieworld cinemas with an R-18 rating from the MTRCB. If you’re in the mood for something daring, emotional, and a little bit campy, this film deserves a spot on your watchlist.
TATAK MNL 
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